ART IN NORWAY

For an extended period, the Norwegian art scene was dominated by artwork from Germany and Holland as well as by the influence of Copenhagen. It was in the 19th century that a truly Norwegian era began, first with portraits, later with even more impressive landscapes. Johan Christian Dahl (1788–1857), originally from the Dresden school, eventually returned to paint the landscapes of western Norway, defining Norwegian painting for the first time."^[156]

Brudeferd i Hardanger by Adolph Tidemand og Hans Gude, 1848

Norway’s new-found independence from Denmark encouraged painters to develop their Norwegian identity, especially with landscape painting by artists such as Kitty Kielland, a female painter who studied under Hans Gude; Harriet Backer, 1845–1932, another pioneer among female artists, influenced byimpressionism. Frits Thaulow, an impressionist, was influenced by the art scene in Paris as was Christian Krohg, a realist painter, famous for his paintings of prostitutes.^[157]

Of particular note is Edvard Munch, a symbolist/expressionist painter who became world famous for The Scream which is said to represent the anxiety of modern man.

Other artists of note include Harald Sohlberg, a neo-romantic painter remembered for his paintings of Røros; and Odd Nerdrum, a figurative painter who maintains his work is not art but kitsch.

A VERY, VERY OLD CHURCH

Kaupanger Stave Church (Norwegian: Kaupanger stavkyrkje) is the largest stave church in Sogn og Fjordane, and is situated in the town ofKaupanger, Norway. The nave is supported by 22 staves, 8 on each of the longer sides and 3 on each of the shorter. The elevated chancel is carried by 4 free standing staves. The church has the largest number of staves to be found in any one stave church. It is still in use as a parish church, having been in use continuously since its erection.

Kaupanger Stave Church was built in the 12th century, and is situated on the ruins of what might be two previous post churches. Kaupanger was a market town that King Sverre burned down in 1184 to punish the local inhabitants for disobeying him. It was previously thought that the stave church previously standing on this site burned down in this fire, as archaeological research in the 1960s revealed that the previous church had burned down. The present church was therefore believed to have been built around 1190. Recent research has changed these assumptions. Dendrochronology has shown that the timber used for building the church was cut in 1137. Also, Sverris saga makes no mention of the burning of the church at the time the town was burnt. Consequently, it is now assumed that the church was built around 1150.

Several restoration projects have taken place both inside the church and on the exterior, but in spite of these changes, the medieval construction has been preserved. The pulpit, altarpiece and font are all from the 17th century. In 1984, composer Arne Nordheim was inspired by the neumes and the sound of the medieval bells in Kaupanger stave church in composing the work Klokkesong, which was first performed inside the church as part of the 800th commemoration of the Battle of Fimreite.