The Secret World

The game features an original setting created by Funcom, with contemporary elements as well as "magic, myths, conspiracies and dark horrors." Tørnquist debunked several rumors surrounding The Secret World, stating that "there are no aliens or science fiction elements" in it. He also denied any connection of The Secret World to The Longest Journey.

The game is set in the "modern day real world" but also incorporates pieces of ancient mythologies, real and false history, urban legends, and pop culture, and ties them into an original back-story. The latter is said to go back in time for 100 million years and encompass long extinct ancient civilizations.

The players will assume the roles of supernatural heroes who participate in a "future war between good and evil", fighting dark monsters that threaten the modern world. Tørnquist identified the genre of the story as dark fantasy, features vampires, demons, and zombies. The players will be free to travel across different locations of the world (both real, like London, New York and Seoul, and mythical, such as Agartha, the legendary city located within Hollow Earth and the Hell dimension) and even in time, to pursue the overall plot and investigate new mysteries in connection to the dark invasion. The overall plot has a conclusion but the designers also leave room for future issues and expansions.

H. P. Lovecraft's works, the Indiana Jones franchise, and Stephen King's novels are major inspirations for the game's settings and storylines.

New Munch Museum finally approved

The high-rise museum design that won an architecture competition back in 2009 will be built after all, and at the site where it was initially intended: On Oslo’s redeveloped eastern waterfront at Bjørvika.

Norwegian Broadcasting (NRK) reported the Munch Museum compromise as the city government parties led by the Conservatives (Høyre) called a sudden press conference Tuesday morning that included the opposition Socialist Left party (SV).

NRK reported that SV has now gone along with the non-socialist government parties in supporting the Bjørvika site, in return for getting assurances from them that they’ll support community redevelopment projects in Oslo’s Tøyen district, where the current and long-inadequate Munch Museum is located.

SV’s cooperation means the city government finally, after seemingly endless quarreling and efforts to block the Munch Museum project at Bjørvika by the most conservative Progress Party, now has the majority it needed to get the project underway on the waterfront next to the Opera House.

“We need a new, future-oriented Munch Museum,” said SV’s City Council Member Marianne Borgen. “But we want the Tøyen area to get a lift. We have signed a 10-point plan for Tøyen with the city government today.”

She then presented the new redevelopment plans for Tøyen, which include a large “badeland” (aquatics park) and an open-air theater and concert stage. Complaints over the currently depressed state of the highly multi-cultural Tøyen district had hit a new peak in recent days, with neighbourhood protests and urgent calls for improvements.

They’ve clearly been heard at City Hall, and ultimately led to the political settlement on a site and the design known as “Lambda” for a new Munch Museum. City politicians have become the targets of ridicule and even a torchlit protest march last autumn over their failure to build a new museum for Norway’s most famous artist, not least in the midst of this year’s celebrations of the 150th anniversary of his birth.

Both SV and the Labour Party had argued to keep the Munch Museum at Tøyen as an anchor for redevelopment there. The Progress Party wanted to move the city’s priceless inherited collection of Munch art into what’s now the National Gallery downtown when it moves to a new site on the western waterfront. The Progress Party, with its former leader Carl I Hagen at the forefront, had argued that a new Munch Museum at Bjørvika was far too expensive and that it would be better to make use of the vacated National Gallery.

Arguing is likely to continue as development gets underway, but the settlement on the site is a breakthrough. Museum officials were heaving a sigh of relief as they geared up to open the new Munch exhibit this weekend at both the National Gallery and Tøyen, and finally feeling they can celebrate a bit themselves.